Media
King Willonius (Willonius Hatcher) is a comedian, musician and AI filmmaker, and the creator of BBL Drizzy and Shabang the Musical. He was named to TIME100 AI in 2024 and EBONY’s Power 100 in 2025.
Explore talks, interviews and appearances below, beginning with The Next Web conference in Amsterdam. For interviews, press materials and photography requests, use the Contact page and include your outlet and deadline.
Martha’s Vineyard African American Film Festival
King Willonius was a featured panelist at the 2025 Martha’s Vineyard Film Festival presented by OpenAI
dream machine conference
King Willonius gets interviewed by Hartbeat President Jeff Clanagan at Van Jones Dream Machine conference in Atlanta.
baratunde thurston interview
King Willonius sits down with a one on one interview with the comedic legend Baratunde Thurston
trace3 interview
King Willonius is interviewed by David Borish of Trace3
Press & media.
Explore coverage, interviews, selected talks and original work by King Willonius.Co-founder of AI & the Culture.
Press coverage
Articles, profiles, recognition and industry coverage about King Willonius.
- 2026-07-30Fireside Chat & Vibeathon with King Willonius (event recap)The Black Tech Collective
- 2026-03AI music report: King Willonius in the artist analysis (PDF)Luminate
- 2026-02-05A stand-up comedian demonstrates how easy it is to create with AIDeseret News
- 2026-01-21The Eleven Album featuring King WilloniusElevenLabs
- 2025Can AI ever be funny?Associated Press
- 2025-11-28King Willonius announced as a headline speakerBRIDGE Summit
- 2025-10-31Filmmakers experiment with Adobe Firefly at Adobe MAXVariety
- 2025-10-29Enter the BBL Drizzyverse at Adobe MAXAdobe
- 2025-10-15King Willonius hosts Hartbeat’s live AI film battleDeadline
- 2025-09-10Power 100: Influential CreatorsEBONY
- 2024-10-28BBL Drizzy and the future of AI musicWIRED
- 2024-09-05TIME100 AI: Willonius HatcherTIME
- 2024-05-15BBL Drizzy and the future of samplingBillboard
- 2024-05-14BBL Drizzy and a breakthrough for AI artThe Washington Post
- 2024-05-09Metro Boomin couldn’t have made BBL Drizzy without this comedianVulture
- 2024-05-09BBL Drizzy and the Drake–Kendrick feudThe Guardian
- 2024-03-20The Filmmaker Who Says AI Is ReparationsWIRED
- 2022-08-30How creators are using Clubhouse to mount musicals and original showsBackstage
Interviews
Conversations about the creative process, comedy, music and culture.
- 2026 editionKing Willonius on creativity, authenticity and AI (pages 14–15)Davos Club Magazine
- InterviewKing Willonius in studioHigher Learning
- InterviewCreative Vibes, Episode 3: What Actually Makes AI Content Stand Out?Lenovo
- 2024BBL Drizzy, AI & manifesting: episode 75Creativity Squared
- 2024-10-24How an AI song broke the internet with Baratunde ThurstonLife with Machines
- 2024-06-12King Willonius on AI and Black musicHOT 97
- InterviewClubhouse Creator First: Willonius Hatcher and The Young and the ThirstyBrian Penny
- InterviewFor the culture: pioneering the use of AIDream Machine
- InterviewEvolve PressBox: a conversation with King WilloniusTrace3
- InterviewSupercharging Creativity: Where the Internet LivesGoogle
Selected talks
Keynotes, panels, live demonstrations and stage appearances.
- TalkCreator authenticity is the real growth strategy: Cannes Lions 2026Microsoft
- TalkShared Futures 2026: Let’s Make a Song TogetherThe Aspen Institute
- TalkKing Willonius speaks at HartbeatKing Willonius IRL
- TalkKing Willonius and Hartbeat present Prompt Side StoryKing Willonius IRL
- TalkCreative leaders on working with AI as a collaboratorTIME
- TalkFrom the creator of BBL Drizzy: the AI era beginsThe Next Web
- TalkAI as a creative partner: filmmakers, journalists & cultural innovatorsMVAAFF / OpenAI
Original work
Films, audio storytelling and screen credits by King Willonius.
Dates refer to publication or the publisher’s latest update where available. Some publishers may require a subscription.
For approved portraits and photographer credits, request press photography.
Black enterprise pitch
I have been pitching and trying to tell my story for years to anyone that would listen. In this clip above I pitched myself to the Black Enterprise audience in 2012